Sunday, September 10, 2006

Day 62: I Try To Explain Why I Think About Horses When I Eat Squeaky Beans

I had some supper and undercooked the green beans. As usual, they made me think of horses.

It started at some point between 1978 and 1982, when we lived in Paris. I was a child (I don't know if I was sweet or not; my parents don't talk about it much, so I would guess I was Strange), who liked ponies a lot even though we lived in a flat in a city. I would spend entire afternoons with my friend Sara doing pretend gymkhanas with Britain's horses. If you had the black stallion you were in with a chance: he was unpredictable, but brilliant. But your best chance was the little grey mare, who was very reliable and had a lovely temperament.

We read Pony magazine and went on a riding holiday, where our night out was a trip to Perth to see Clash of the Titans, starring Harry Hamblin out of LA Law in a loincloth and a rubbish animatronic Cerberus. It was good. I went to Scotland a lot and cycled 8 miles uphill every day for two months to spend an hour catching a very fat Highland pony called Ewan, who I rode for twenty minutes before I had to freewheel home to my Granny. Then I had two accidents, one of which involved a badly bruised coccyx, and the other a bird, a rearing horse, concussion, and a night in hospital, from which I was woken by Monkeymother bearing strawberries. I didn't ride much after that, but I still liked horses. (I still do. I'd like one one day: a big bay with a kind face and soft muzzle who likes Polo mints and carrots, called Kind Horsey. That would be good.)

Anyway, I digress. In Paris there were meat shops that had big gold model horse's heads stuck outside them. I was very sad when I found out they sold horse meat; I couldn't understand how anyone could eat a bit of a horse, because horses were nice to people and let them ride them, even if they were a bit naughty sometimes. And then one night we went out to dinner and a friend of my father's ate raw mince with an egg on, and told me it was horse. He was fibbing, but I was horrified.

I've never really recovered. I shy away from inappropriately raw things. I despise raw celery and green peppers, but that's not the point: I'm talking about things that should be cooked more than they are, served up as if there's nothing amiss. (I don't like me red meat well done, mind you. And yes, I know it's hypocritical to not eat horses but eat cows, pigs and sheep.) Phlegmy boiled eggs. Seared tuna, which makes me gag. I should really love sushi, what with being an ex-media twat from London, but I don't. Weirdness of clammy cold rice and raw tuna. No. No. And pasta: nothing more disgusting than overcooked pasta apart from, perhaps, undercooked wholemeal spaghetti, the combination of twig and facepack.

Vegetables are slightly more complicated. British people who fancy themselves as 'foodies' (trans: twat with a cookbook), bang on and on about how ghastly overcooked vegetables are. But it is these people who, in their desperation not to look like pikeys at their rubbish dinner parties in Fulham, serve crunchy potatoes, broccoli of wood, and beans that squeak when you bite them. I cook green beans properly most of the time, unless my new neighbour comes down and gives me wine.

The thing is, I can't properly explain why I think about horses when I eat undercooked green beans. I've tried, and I get it, but I'm not sure I can explain it. There's some sort of connection there, somewhere, but it is as it is. Whenever I see a jersey, I think about the way someone once showed me how to put on a duvet cover. Vogel's bread makes me think of the Beatles. The Telegraph is Edinburgh in 1985; red lipstick, thick black headbands; all cats are Chiswick, and fax machines are Irish squirrels. But most importantly, and most regularly, squeaky beans are horses.

Saturday, September 09, 2006

Day 61: I Think About Work (Again)

Sometimes, I lie in bed and think: "I know, I'll be one of them 'writers'. I like writing, it's good; it makes me happier than anything else, ever, apart from gentleman callers and eating crisps".

Unfortunately, I think that means I have to write something. I've got a sort of idea for a thing, and I often enjoy an excellent fantasy in which The Guardian phone up and beg me to write witty little pieces about squirrels and phlegm (i.e. like I do now, except good); sometimes I even talk about an idea I've had for a novel, even if it does make me sound like a knob.

I do try: I go on special missions to Borders to buy The Writer's Handbook 2007 and fuck-awful things called How To Write A Novel. But when I get home, they sit fatly on my bookshelf muttering "I told you she had no right to buy us", whilst I lie on the sofa smoking a pipe and reading £2.99 novels from Sainsbury's. And every day I write my blog.

But I don't think writing a blog makes you a 'writer'. (I've never been sure what qualifies you as a writer though; do you get a badge and a certificate from somewhere? Do you have to write well?) Not that that's really the point; the truth is that if I didn't write my blog every day, I'd be cracking open the sherry by 10 o'clock and dwelling on the fact that I might be unemployable.

When I stopped working 61 days ago, it was good. I needed some time to sort myself out, and I needed proper time - not pissy little weeks off taking work phone calls and being stalked by a TwatBerry. But it's been over two months now, and the novelty's worn off. If I 'forgot' the original point of this blog - which was to write about what it's like not-working - it's because I didn't always enjoy it. There was so much about work that I hated (doing what I'm told, being in the same place every day, being civil to fuckwits), but there were bits I liked too (having money, having something to do, seeing other people). More to the point, being by myself all day with nothing to do was starting to make me go weird.

So I think it's time to get a job. Except I don't really want to. And I sort of really do. Be good if The Guardian got on the blower, though: apparently they really like stories about squirrels and phlegm, and I've got loads of those already.

Friday, September 08, 2006

Day 60: I See A Helicopter

My mother often tells me I suffer from false memory syndrome. Not always fair, to be frank, but I am very attached to a story I tell if I'm trying to make people think I'm clever. It's not particularly complicated; I just say: "well THAT'S all well and good, but MY first word was HELICOPPER". When I see it written down, it is patently untrue. But I really and truly believe it, even if I did make it up in my head.

We hear helicopters going overhead in Brixton quite a lot (millionaires going to Harrods, I think), but I've never seen one parked up in the street. But I did the other day, just before the roundabout with the church on at the bottom of Brixton Hill. And as I walked past it I said: "Oh! Look! There's a helicopper!", out loud, with my mouth, in the street, to myself, and some people heard.

Hey ho.

Day 60: I Am Guilty Of Plagiarism

I'm afraid I'm terribly busy reading a book about Shackleton, which is so good I can't possibly be disturbed. Luckily, however, my Spies have sent me tidings of a story so good I'm just going run it in its original glory:

"A Sudanese man has been forced to take a goat as his "wife", after he was caught having sex with the animal.

The goat's owner, Mr Alifi, said he surprised the man with his goat and took him to a council of elders.

They ordered the man, Mr Tombe, to pay a dowry of 15,000 Sudanese dinars ($50) to Mr Alifi.

"We have given him the goat, and as far as we know they are still together," Mr Alifi said.

Mr Alifi, Hai Malakal in Upper Nile State, told the Juba Post newspaper that he heard a loud noise around midnight on 13 February and immediately rushed outside to find Mr Tombe with his goat.

"When I asked him: 'What are you doing there?', he fell off the back of the goat, so I captured and tied him up".

Mr Alifi then called elders to decide how to deal with the case.

"They said I should not take him to the police, but rather let him pay a dowry for my goat because he used it as his wife," Mr Alifi told the newspaper."

You can find the original story here, in the unlikely event that you don't believe me. (It's from the BBC, so it must be true.)

I have thoughtfully included the handy map that ran on bbc.co.uk, just in case you want to go and see Mr Tombe and his ladygoat for yourself.

Thursday, September 07, 2006

Day 59: I Do Not Understand Fashion

Don't get me wrong. I like a nice frock as much as the next person. I was a model when I was about one, for a blackcurrant drink that was later found to be single-handedly responsible for the fact that all British people over the age of 35 have false teeth. Mary Quant came into a toyshop I worked in when I was 16 and told me not to forget I was pretty, and that I would age well as I had a "strong look". (And yes, her hair really IS like that, and I now look nothing like I did 20 years ago.) I even did some Fat Bird modelling in my younger days, before my face went on holiday to Tunisia and decided to retire there with two twenty-one year old Moroccan boys called Aziz.

As a fat bastard of some years standing, my choice of what to wear has been relatively straightforward, if not a little limited. In the morning, I open my wardrobe, rub my eyes and ask myself a simple question: Shall I wear a wrap dress over trousers: yes, or no? If "yes", I am dressed. If "no", I am sitting on the sofa in grey jersey trousers and a t-shirt with a monkey on.

Nevertheless, I do read a magazine or two, if only to pass time and get myself in training for the day the phone rings and someone asks me to become a cultural commentator, and I'm already dreaming of witty little Vivienne Westwood frocks for my best friend's wedding. Problem is, I have no idea what they're talking about, those magazines. I've got a couple of 'fashion' pals who say things like "pieces", "palette" and "asymmetrical stripe", and I can sort of follow that. But pick up Grazia or Vogue and you will be lost. Unless, that is, you are fashionable.

Now, let's see how fashionable you are with a special Thursday afternoon treat: Non-workingmonkey's Fashion Quiz.

Will an egg shape skirt add interest to your wardrobe?
a. yes
b. no
c. poached

Is a T-shirt an important transitional piece?
a. what?
b. yes, and it's a fun way to buy into the new glossy goth trend
c. I've been a man for twenty years.

How do I energise my winter wardrobe?
a. with a subtle flash or a bold statement
b. with black leather
c. by taking your coat to the dry cleaner and buying some new tights.

Please describe, in no more than 20 words, the difference between the following types of bag:
a. tote
b. clutch
c. bucket.

Please translate ONE of these TWO passages from Fashion to British English:
"The New Smart is everything party girls are not. It is grown-up, pared-down, purposeful, brave and authoritative, and it goes to work - proper work, not pole-dancing."

"The simple but luxurious ideal is a big motivation for the designers of the New Smart. They are aware of the bad rap fashion has for built-in obsolescence - there is an effort to design pieces that have value beyond the flash of a brand name."

What is "a bold quiff"?
a. the ultimate rebellious beauty statement
b. Morrissey's hair
c. a rare bird from Madagascar.

How do I strengthen and tone my body for this season's new* slimline silhouette?
a. eat less and move around more
b. eat cake
c. use Active Isolated Stretching, pioneered by Chris Watts - a technique that combines postural realignment with a series of stretches that boost energy and improve flexibility.

*New?

I've got no idea what the answers are, mind you, but have a pop - it might be fun.

Next Week: "Spot The Pointless Cockmonkey", featuring Anna Wintour's sunglasses, Tony Parsons and the cast of Hollyoaks.

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